{"id":7625,"date":"2021-07-29T19:50:06","date_gmt":"2021-07-29T18:50:06","guid":{"rendered":"https:\/\/estudiossegovianos.es\/?page_id=7625"},"modified":"2021-07-29T20:41:19","modified_gmt":"2021-07-29T19:41:19","slug":"ano-2020-tomo-lxii-no-119","status":"publish","type":"page","link":"https:\/\/estudiossegovianos.es\/?page_id=7625","title":{"rendered":"A\u00f1o 2020. Tomo LXII, n\u00ba 119"},"content":{"rendered":"\n<hr class=\"wp-block-separator has-text-color has-background has-white-background-color has-white-color\"\/>\n\n\n\n<p class=\"has-primary-color has-light-gray-background-color has-text-color has-background\"><strong>Cr\u00f3nica de la Academia<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><em><a href=\"https:\/\/estudiossegovianos.es\/?page_id=7776\" data-type=\"page\" data-id=\"7776\">Memoria del Curso Acad\u00e9mico 2018-2019<\/a><\/em><br>Juan Luis Garc\u00eda Hourcade. P\u00e1gs. 13-27<\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li><em><a href=\"https:\/\/estudiossegovianos.es\/?page_id=7779\" data-type=\"page\" data-id=\"7779\">Segovia en la Exposici\u00f3n Iberoamericana de Sevilla de 1929<\/a><\/em><br>Susana Vilches Crespo. P\u00e1gs. 29-63<\/li><\/ul>\n\n\n\n<p class=\"has-primary-color has-light-gray-background-color has-text-color has-background\"><strong>Conferencias<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><em><a href=\"https:\/\/estudiossegovianos.es\/?page_id=7782\" data-type=\"page\" data-id=\"7782\">El paisaje en Ortega y Gasset<\/a><\/em><br>Eduardo Mart\u00ednez de Pis\u00f3n. P\u00e1gs. 67-82<\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li><em><a href=\"https:\/\/estudiossegovianos.es\/?page_id=7785\" data-type=\"page\" data-id=\"7785\">El paisaje en la Generaci\u00f3n del 98<\/a><\/em><br>Nicol\u00e1s Ortega Cantero. P\u00e1gs. 83-99<\/li><\/ul>\n\n\n\n<p class=\"has-primary-color has-light-gray-background-color has-text-color has-background\"><strong>Art\u00edculos<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><em><a href=\"https:\/\/estudiossegovianos.es\/?page_id=7788\" data-type=\"page\" data-id=\"7788\">Estudio de los signos lapidarios en la iglesia de San Miguel Arc\u00e1ngel de Tur\u00e9gano<\/a><\/em><br>Miguel \u00c1ngel Yuste Burgos, Carlos F. de Miguel Calvo. P\u00e1gs. 103-129<\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li><em><a href=\"https:\/\/estudiossegovianos.es\/?page_id=7791\" data-type=\"page\" data-id=\"7791\">La colecci\u00f3n de plater\u00eda de la iglesias parroquiales de Ortigosa del Pesta\u00f1o, Pascuales y Tabladillo<\/a><\/em><br>Francisco Javier Montalvo Mart\u00edn. P\u00e1gs. 131-148<\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li><em><a href=\"https:\/\/estudiossegovianos.es\/?page_id=7794\" data-type=\"page\" data-id=\"7794\">Algunos datos y una nueva propuesta sobre la autor\u00eda del patio principal del Alc\u00e1zar de Segovia<\/a><\/em><br>Ubaldo Mart\u00ednez-Falero del Pozo. P\u00e1gs. 151-181<\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li><em><a href=\"https:\/\/estudiossegovianos.es\/?page_id=7798\" data-type=\"page\" data-id=\"7798\">La g\u00e9nesis del atrio o enlosado de la Catedral de Segovia, como ejemplo de modernidad<\/a><\/em><br>Teresa Cort\u00f3n de las Heras. P\u00e1gs. 183-215<\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li><em><a href=\"https:\/\/estudiossegovianos.es\/?page_id=7802\" data-type=\"page\" data-id=\"7802\">La Comunidad de Villa y Tierra de Cu\u00e9llar a mediados del siglo XVIII<\/a><\/em><br>Aurelio Cebri\u00e1n Abell\u00e1n. P\u00e1gs. 217-256<\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li><em><a href=\"https:\/\/estudiossegovianos.es\/?page_id=7805\" data-type=\"page\" data-id=\"7805\">Tierra de mayorales<\/a><\/em><br>Jer\u00f3nimo de Ugarte Gil. P\u00e1gs. 259-291<\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li><em><a href=\"https:\/\/estudiossegovianos.es\/?page_id=7808\" data-type=\"page\" data-id=\"7808\">Dos episodios de hacienda y de justicia napole\u00f3nicas en la Tierra de Segovia: Torreiglesias<\/a><\/em><br>Miguel \u00c1ngel Gonz\u00e1lez de San Segundo. P\u00e1gs. 293-331<\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li><em><a href=\"https:\/\/estudiossegovianos.es\/?page_id=7811\" data-type=\"page\" data-id=\"7811\">Una vista in\u00e9dita de El Paular, de Gregorio Prieto<\/a><\/em><br>Javier Garc\u00eda-Luengo Manchado, Francisco Ega\u00f1a Casariego. P\u00e1gs. 333-345<\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li><em><a href=\"https:\/\/estudiossegovianos.es\/?page_id=7814\">Segovia: romeros a Santiago durante el siglo XVII<\/a><\/em><br>M\u00aa del Mar Pe\u00f1as Barroso. P\u00e1gs. 347-359<\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li><em><a href=\"https:\/\/estudiossegovianos.es\/?page_id=7817\" data-type=\"page\" data-id=\"7817\">Las exposiciones de fotograf\u00eda en el museo Rodera Robles. Cr\u00f3nica y comentarios<\/a><\/em><br>Jos\u00e9 Miguel Santamar\u00eda L\u00f3pez. P\u00e1gs. 361-388<\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li><em><a href=\"https:\/\/estudiossegovianos.es\/?page_id=7821\" data-type=\"page\" data-id=\"7821\">Exposici\u00f3n de El Paular a Segovia: 100 a\u00f1os de paisaje pintado<\/a><\/em><br>Carlos Mu\u00f1oz de Pablos, Juan Antonio del Barrio \u00c1lvarez, Susana Vilches Crespo, Santiago Mart\u00ednez Caballero. P\u00e1gs. 391-459<\/li><\/ul>\n\n\n\n<p class=\"has-primary-color has-light-gray-background-color has-text-color has-background\"><strong>Documentos<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><em><a href=\"https:\/\/estudiossegovianos.es\/?page_id=7825\" data-type=\"page\" data-id=\"7825\">Confirmaci\u00f3n del Fuero y Privilegios de Sep\u00falveda por Alfonso El Sabio<\/a><\/em><br>Susana Vilches Crespo. P\u00e1gs. 463- 471<\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li><em><a href=\"https:\/\/estudiossegovianos.es\/?page_id=7828\" data-type=\"page\" data-id=\"7828\">El control eclesi\u00e1stico sobre los saludadores en el siglo XVII. El caso de Gaspar Vela en Ortigosa del Pesta\u00f1o<\/a><\/em><br>Rodrigo Pe\u00f1as Barroso. P\u00e1gs. 473-482<\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li><em><a href=\"https:\/\/estudiossegovianos.es\/?page_id=7831\" data-type=\"page\" data-id=\"7831\">La calificaci\u00f3n de los sucesos milagrosos a comienzos del siglo XVII. El expediente de Mar\u00eda Isabel de Acosta<\/a><\/em><br>Rodrigo Pe\u00f1as Barroso. P\u00e1gs. 485-498<\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li><em><a href=\"https:\/\/estudiossegovianos.es\/?page_id=7834\" data-type=\"page\" data-id=\"7834\">El retablo mayor de la iglesia parroquial de Torreiglesias<\/a><\/em><br>Susana Vilches Crespo. P\u00e1gs. 501-511<\/li><\/ul>\n\n\n\n<p class=\"has-primary-color has-light-gray-background-color has-text-color has-background\"><strong>Varia<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><em><a href=\"https:\/\/estudiossegovianos.es\/?page_id=7837\" data-type=\"page\" data-id=\"7837\">\u00bfUna pintura de Laviana Fontana en Museo Diocesano de Segovia?<\/a><\/em><br>Jos\u00e9 Miguel Santamar\u00eda L\u00f3pez. P\u00e1gs. 515-522<\/li><\/ul>\n\n\n\n<p class=\"has-primary-color has-light-gray-background-color has-text-color has-background\"><strong>Rese\u00f1as<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><em><a href=\"https:\/\/estudiossegovianos.es\/?page_id=7840\" data-type=\"page\" data-id=\"7840\">Peque\u00f1a historia de un compromiso: Tres Cantos y la Universidad Popular<\/a><\/em><br>Jos\u00e9 Luis Mora Garc\u00eda. P\u00e1gs. 527-528<\/li><\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Cr\u00f3nica de la Academia Memoria del Curso Acad\u00e9mico 2018-2019Juan Luis Garc\u00eda Hourcade. P\u00e1gs. 13-27 Segovia en la Exposici\u00f3n Iberoamericana de[&#8230;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":32,"menu_order":61,"comment_status":"closed","ping_status":"closed","template":"template-centered.php","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","footnotes":""},"class_list":["post-7625","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/estudiossegovianos.es\/index.php?rest_route=\/wp\/v2\/pages\/7625","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/estudiossegovianos.es\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/estudiossegovianos.es\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/estudiossegovianos.es\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/estudiossegovianos.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7625"}],"version-history":[{"count":6,"href":"https:\/\/estudiossegovianos.es\/index.php?rest_route=\/wp\/v2\/pages\/7625\/revisions"}],"predecessor-version":[{"id":7844,"href":"https:\/\/estudiossegovianos.es\/index.php?rest_route=\/wp\/v2\/pages\/7625\/revisions\/7844"}],"up":[{"embeddable":true,"href":"https:\/\/estudiossegovianos.es\/index.php?rest_route=\/wp\/v2\/pages\/32"}],"wp:attachment":[{"href":"https:\/\/estudiossegovianos.es\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7625"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}